1806-1858 Russian Alexander Ivanov Galleries was a Russian painter who adhered to the waning tradition of Neoclassicism but found little sympathy with his contemporaries. Ivanov studied together with Karl Briullov at the Imperial Academy of Arts under his father, Andrey A. Ivanov. He spent most of his life in Rome where he befriended Gogol and succumbed to the influence of the Nazarenes. He has been called the master of one work, for it took 20 years to complete his magnum opus, The Appearance of Christ before the People (1837-57). It was for the next generation of art critics to do him justice. Some of the numerous sketches he had prepared for The Appearance have been recognized as masterpieces in their own right. Although Ivanov's major painting is a gem of the Tretyakov Gallery, the most comprehensive collection of his works can be viewed at the Russian Museum in St Petersburg.  Related Paintings of Alexander Ivanov :. | The Appearance of Christ to the People | Angel Striking Zacharlas dumb | John the Baptist's Head | The Appearance of Christ ot the People | Seven boys |
Related Artists:
Karoly Marko the Elder
1791-1860
William Bliss Baker
(1859 - 1886-11-20) was an American artist born in New York City who was just beginning to hit his stride as a landscape painter in the Realism movement when he died at his father's house at Hoosick Falls, New York at the age of 27 due to a back injury received while ice skating several months earlier Baker studied at the National Academy of Design for four years beginning in 1876,where he won first prize during his first exhibit in 1879. By 1881, Baker had set up a studio north of Albany, New York.
SIRANI, Elisabetta
Italian Baroque Era Painter, 1638-1665 Italian painter. She was the daughter of Giovanni Andrea Sirani (1610-70), who had been Guido Reni's principal assistant. Encouraged by Carlo Malvasia, her mentor and eventual biographer, she was painting professionally by the age of 17. Her prolific talent, as well as her reputed beauty and modesty, soon brought her European renown. The details of her training are unclear, but as a woman she would not have had access to an academy and (like many other professional women painters prior to the 20th century) she was probably taught by her father. Her sisters Anna Maria (1645-1715) and Barbara (alive in 1678) were also practising artists and Elisabetta herself is known to have had female students. As women, they could not undertake any formal study of the male nude, and Sirani's weakness in depicting male anatomy is sometimes clearly detectable in her work Sirani's drawings employ a highly individual pen-and-wash method, eschewing outline and employing quick, blunt strokes of barely dilute ink to create striking chiaroscuro effects